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Category: Classic Rock

Kelley Stoltz - Circular Sounds (Vinyl, LP, Album)

8 thoughts on “ Kelley Stoltz - Circular Sounds (Vinyl, LP, Album)

  1. Mar 14,  · Kelley Stoltz Circular Sounds (Sub Pop). Like labelmate Sam Beam of Iron & Wine, Kelley Stoltz grows substantial facial hair and has a way .
  2. Feb 05,  · Circular Sounds is the fourth LP from San Francisco’s home recording auteur Kelley carlubunakeellulilistdemoutypit.coinfo 14 songs are a stereophonic advance on the lo-fidelity psych-fuzz of Antique Glow (Beautiful Happiness, ) and the mid-fi piano-rock of Below the Branches (Sub Pop, ): two modest masterpieces which, by a curious coincidence, both made #24 in MOJO magazine’s “Best Albums” list .
  3. While Kelley Stoltz's nigh-religious reverence for all things Beatles, Beach Boys and Kinks has been at the fore on recent albums Below the Branches and Circular Sounds, his new album, To Dreamers, blends a bit more post-punk abandon into its layered everyman pop/5(7).
  4. Circular Sounds, the fourth album from San Francisco based artist Kelley Stoltz, finds him partying like it's (or so). As with his other albums, it's mostly a one man show, with Stoltz playing the vast majority of the instruments himself.4/5(8).
  5. Buy a CD or Vinyl record and get 90 days free Amazon Music Unlimited With the purchase of a CD or Vinyl record dispatched from and sold by Amazon, you get 90 days free access to the Amazon Music Unlimited Individual plan. This item: Circular Sounds by Kelley Stoltz Audio CD £ Only 1 left in stock. Sent from and sold by trec/5(5).
  6. Label: Cass Records - MAMA • Format: Vinyl LP, Album Gat • Country: US • Genre: Rock • Style: Folk Rock, Psychedelic Rock Kelley Stoltz - Circular Sounds (, Gat, Vinyl) | Discogs Explore/5(15).
  7. Circular Sounds is the fourth LP from San Francisco’s home recording auteur Kelley Stoltz Its 14 songs are a stereophonic advance on the lo-fidelity psych-fuzz of Antique Glow (Beautiful Happiness, ) and the mid-fi piano-rock of Below the Branches (Sub Pop, ): two modest masterpieces which, by a curious coincidence, both made #24 in.

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